In addition to his webcomic work, Tom Mike Hill is an illustrator and designer who has worked on a variety of creative projects, including logo design, poster design, and podcast art. But for now, scroll down to dive into his hilarious “Soup or Salad” comics. We’re also excited to share an exclusive interview with Tom Mike Hill, where he discusses the inspiration behind the series, his creative process, and more!
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Tom revealed that it all started during the pandemic in 2020, a time when creativity seemed to clash with the harsh realities of social distancing and isolation. “I wanted to make a short film, but that required collaboration with people, which didn’t seem possible at that time. So I wanted to work on a creative project that I could do independently. That’s when the idea of making a comic happened. It took me months trying to figure out the art, tone, and a few of the storylines before feeling comfortable enough to release it.”
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“Soup or Salad” is an intriguing title that immediately evokes the familiar choice we face at a restaurant—soup or salad as a starter. Naturally, we were curious about the inspiration behind the name for Tom’s comic series. “There’s absolutely no meaning behind the name,” Tom shared. “To me, it sounded like a name of a comic you’d hear in the Sunday Funnies. The name came long before the comic itself was fleshed out.”
Tom’s choice of characters is equally intriguing. While the man, Ken, is a familiar character type, the boar, Russell, is a much more unusual choice that isn’t often seen in comics. The artist told us that he’s an anxious person and he’s always related to neurotic characters. “I also find it funny in certain settings when people are blunt or obnoxious, so I knew I wanted to make characters with those personality types.Visually I didn’t want just two humans and originally it was going to be an anxious guy that had an alligator as a roommate, but I saw another comic having a similar pairing. I was trying to figure out what other animal I could make in anthropomorphic form to pair with the guy and settled on a boar.I’ve been putting this out weekly for four years now, and within the comic, it has yet to be addressed that there’s a character who’s a walking-talking boar.”
Tom’s choice of characters is equally intriguing. While the man, Ken, is a familiar character type, the boar, Russell, is a much more unusual choice that isn’t often seen in comics. The artist told us that he’s an anxious person and he’s always related to neurotic characters. “I also find it funny in certain settings when people are blunt or obnoxious, so I knew I wanted to make characters with those personality types.
Visually I didn’t want just two humans and originally it was going to be an anxious guy that had an alligator as a roommate, but I saw another comic having a similar pairing. I was trying to figure out what other animal I could make in anthropomorphic form to pair with the guy and settled on a boar.
I’ve been putting this out weekly for four years now, and within the comic, it has yet to be addressed that there’s a character who’s a walking-talking boar.”
When asked about any special rituals or routines that help him get into the creative zone, Tom shared that he often feels most inspired after returning from a long walk. “If I have an idea that feels close to being finished, but there’s something that’s missing or not working, I’ll usually hop in the shower. It’s a place I feel at peace without any technology or distraction and I focus on what needs to be fixed in the story.”
The creative process is rarely smooth, and artists often face creative blocks or other challenges along the way. For Tom, these hurdles can vary—sometimes it’s the dialogue that proves difficult, other times it’s working out the concept or determining if the humor lands as intended. “I have family and friends who I sometimes go to, to see if what I’m conveying makes sense. I’m very fortunate that they’re honest with me.On my phone there’s a list of ideas that are at different stages. Some have been there for days, others years. Every time I work on a story it feels like a challenge, I get my most sense of enjoyment when I feel satisfied with the outcome and feel ready to share it with the world.”
The creative process is rarely smooth, and artists often face creative blocks or other challenges along the way. For Tom, these hurdles can vary—sometimes it’s the dialogue that proves difficult, other times it’s working out the concept or determining if the humor lands as intended. “I have family and friends who I sometimes go to, to see if what I’m conveying makes sense. I’m very fortunate that they’re honest with me.
On my phone there’s a list of ideas that are at different stages. Some have been there for days, others years. Every time I work on a story it feels like a challenge, I get my most sense of enjoyment when I feel satisfied with the outcome and feel ready to share it with the world.”
When we asked Tom what he hopes people take away from his comics, his answer was both humble and thoughtful, reflecting his belief in the power of art to evoke a range of emotions.
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