We, humans, are visual creatures. We might read or listen about the past, but looking atphotographsis somehow even more pleasing. Since time traveling is not a thing (and probably will never be), what’s a better way to visit the places and times we didn’t have a chance to be a part of than throughvintage photographs?
Bored Pandareached out to the creator ofFlashbak, journalist and editor Paul Sorene, and he kindly agreed to tell us more about the project. Check out the story of how Flashbak came to be and how you can contribute to it below!
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Flashbak isn’t just a Facebook page that collects coolhistorical photos. It’s a dedicated blog about vintagepop culturewith the tagline “Everything old is new again.” Its oldest entries date back to 2008, with the first post ever being a very brief history of British television. You can find all kinds of cool stuff relating to 20th century pop culture there: from cool oldmovie postersto photo studies ofrock stars' junk.
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“And because demand was so great, I created a shop selling ‘all good things.'” And that shop is truly a wonderland for art lovers. If you’re looking for some inspiring wall art, postcards, artsy apparel, or are just short on stunning wrapping paper, head over to theFlashbak shopand support the project in the process!
And if you have some cool vintage photos of your own to contribute to Flashbak, don’t hesitate toshare them right here!
Nostalgia for the second half of the 20th century doesn’t seem to be going away. We love the aesthetics and the feeling that these photographs emulate, so why not try to evoke them in our own photography efforts in the modern day? Film cameras are readily available today to those who wish to dabble inold-school photography.Photographer Stephen Walton writes that there are three types of cameras people can choose from: 35mm, medium format, and instant cameras. Polaroid and Fujifilm’s instant cameras have really grown in popularity these couple of years, as they’re pretty easy to operate. You can see the result straight away too, and they give your photos a vintage feel.
Nostalgia for the second half of the 20th century doesn’t seem to be going away. We love the aesthetics and the feeling that these photographs emulate, so why not try to evoke them in our own photography efforts in the modern day? Film cameras are readily available today to those who wish to dabble inold-school photography.
Photographer Stephen Walton writes that there are three types of cameras people can choose from: 35mm, medium format, and instant cameras. Polaroid and Fujifilm’s instant cameras have really grown in popularity these couple of years, as they’re pretty easy to operate. You can see the result straight away too, and they give your photos a vintage feel.
Then there are 35mm cameras. Walton notes that models like the Canon AE-1 or the Nikon F series are great for beginners and professionals alike. For people who find them too intimidating, there are disposable cameras or film point-and-shoot cameras. With those, you don’t have to worry about things like focus and exposure, but can still get the old-school photo vibe.
On a table to her side she placed 72 objects that could be used on her - items included: flowers, a knife and a loaded gun. Her instructions were placed on the table: Instructions: ‘There are 72 objects on the table that one can use on me as desired. Performance. I am the object. During this period I take full responsibility.’ Abramović said that at first visitors were peaceful and shy, but quickly became violent: ′′The experience I learned was that… if you leave the decision to the public, you might be k**led… I felt very violated. They cut my clothes, put rose thorns in my belly, one person pointed the gun at my head, and another pulled the gun out close. This created an aggressive atmosphere. After exactly 6 hours, as planned, I got up and started walking towards the public. Everyone ran away, escaping from a real confrontation.”
According to Walton, a lot depends on which decade’s style you want to emulate. If you’re shooting (no pun intended) for the 1920s or the 1930s, black and white would probably look the most similar. These decades, Walton says, were all about sophistication and glamour, so, they would require soft lighting and shallow depth of field.
If you like the aesthetic of the 1960s and the 1970s, you’ll need to focus on vibrant colors. These decades were famous for their psychedelic patterns, so, Walton recommends not being afraid to increase saturation and contrast. Wide-angle lenses and unusual angles also give the photographs a bold aesthetic.
Some people look at this generation’s fascination with film photography with a dash of skepticism. Why go back to grainy, low-quality images when we have the all-powerful digital technology right in our phones? The element of instant gratification might be precisely why we’re currently so enamored with film cameras and their aesthetics.
The other 34% had various reasons, and the most common was the wish to create something physical. ‘To create unique photos’ was the third most popular answer in the survey, especially among young people and those who didn’t have much photographing experience. “Film captures memories and emotions, where digital records light values,” one respondent noted.
He was 23 at the time and not yet appeared in films.
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Vintage photography allows us to travel through time and explore moments we never experienced firsthand. This sentiment is echoed in the striking imagery captured during a journey through London’s empty streets. The art of capturing moments, whether past or present, creates a visual narrative that transcends time.For a beautiful example of this, explore thecaptured essence of a city’s stillnessduring a holiday morning.
Vintage photography allows us to travel through time and explore moments we never experienced firsthand. This sentiment is echoed in the striking imagery captured during a journey through London’s empty streets. The art of capturing moments, whether past or present, creates a visual narrative that transcends time.
For a beautiful example of this, explore thecaptured essence of a city’s stillnessduring a holiday morning.
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Cynthia became a star. She appeared on the cover of Life magazine’s issue of July 12 1937. People sent her gifts and fan mail. Cartier and Tiffany sent her jewellery, French-American milliner Lilly Daché (c. 1892 – 31 December 1989) designed hats for her, couturiers sent her their latest fashions and furrieries sent minks.
“AT CHRISTMAS OF 1950 I scored really big! I not only got an HO gauge Peco Train Set, I also got my ventriloquist dummy that I named “Peco’s Pete”. He and I wore almost-matching flannel shirts. Sadly, or maybe for the better, my ventriloquist act didn’t go over too well: Pete was getting all the laughs, so I decided to break up the team and let him go his own way. The last time I heard from him, Pete was somewhere in Verona, Italy playing a benefit at a retirement home for old ventriloquists.”
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