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We reached out to the cartoonist to discuss his new series of comics. To start, we asked him to explain the biggest difference between creating comics in a pocket sketchbook versus his previous polished and more complex work. Here’s what he shared with us: “The biggest difference is TIME. I’m trying to juggle a lot: parenting a newborn, full-time job, fixing up a house, etc., so sometimes I only have 5 minutes to draw a couple panels and I’ll finish the comic later in the evening or the next day. It’s a lot of the same obstacles to tackle: making sure your composition reads quickly, that the information is communicated clearly, and that it’s funny. With painted comics, I could add a lot of details and things can be a lot more complex. I can’t fit that much information into these small comics, so I have to think a little smarter how to approach things.”
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Next, we were curious about how Chris’s regular audience reacted to the shift from his polished comics to these raw, spontaneous sketches. The artist shared with us: “Everyone has been super supportive of my shift to these rough comics! Whether it’s fully hand-painted or if it’s a scribble, I think people read my stuff for the ideas. The jokes. I guess the maxim rings true: it’s the thought that counts.”
When asked about the most surprising part of sharing this new chapter of his artistic journey with his followers, the creator of the series responded: “It was surprising that some of the rough comics that I’ve posted have done better than their fully painted counterparts. Sometimes a rough drawing is just FUNNIER. Or maybe I hit a lick of luck with the algo with a certain post. I’m not sure. But it’s a good lesson to learn: more detailed, more realistic, more color doesn’t ALWAYS make things funnier or more appealing to audiences.”
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