30 Funny One-Panel Comics By Bill Whitehead For A Quick Laugh

Welcome to the funny world of Bill Whitehead, the creator of the comicFree Range! Bill’s single-panel comics are quick and clever, giving you a good laugh in just one frame. With his unique style, he shows us that even small things can be really funny.Bill started drawing cartoons in 5th grade, copyingNew Yorkercomics. Since then, he has created a quirky and fun world for his characters. Get ready to enjoy this collection of Bill Whitehead’s comics that will probably make you smile!More info:Instagram|Facebook|x.com|gocomics.com|cartoonstock.com|creators.comThis post may includeaffiliate links.Bored Pandareached out to Bill Whitehead to gain insight into his creative process and personal journey. The artist revealed that cartooning, for him, is a perfect blend of his passion for drawing and his love for humor. “Ever since about the age of 8, I’ve wanted to be a cartoonist. I devoured the newspaper comics every day and copied them line for line. Over time, that helped me develop my own style. I taught myself to come up with ideas through trial and error. Roughly two-thirds of the ideas I come up with are actually usable. I would say I’m my own toughest editor.“RELATED:Bill shared that he prefers doing single-panel cartoons because, for him, the strip format is too confining. “I get bored with the same characters every day. I like each cartoon to be a brand new world of its own. A single-panel cartoon is like directing a tiny movie or play that takes place in one moment, in one scene, with one line of dialogue, or no dialogue at all. I set up the shot for maximum effectiveness and try to get the best performance out of my characters with their facial expressions and body language.“Bill freelanced for various publications for years before landing a job writing humorous greeting cards for Hallmark. “I worked there for 23 years until I retired. After that, I got myFree Rangepanel syndicated with Creators Syndicate, based in LA, California.“The artist told us that he draws inspiration from reading, consuming media, and exploring the subject matter of other cartoons, often taking those ideas in new directions. “At Hallmark, I found it extremely valuable to sit around a table with other writers and read through all the ideas we came up with that week. It shows you what makes some ideas work while others fall flat. The pile of rejected ideas was always way bigger than the accepted ones.“Some of the cartoonists that influenced Bill’s style are Charles Addams ofThe New Yorker, Gary Larson ofThe Far Side, French cartoonist Jean-Jacques Sempé, Argentine cartoonist Guillermo Mordillo, andMADcartoonist Sergio Aragonés, just to name a few. “Their work has inspired me for decades and never gets old.“See Also on Bored PandaContinue reading with Bored Panda PremiumUnlimited contentAd-free browsingDark modeSubscribe nowAlready a subscriber?Sign InSee Also on Bored PandaModal closeAdd New ImageModal closeAdd Your Photo To This ListPlease use high-res photos without watermarksOoops! Your image is too large, maximum file size is 8 MB.Not your original work?Add sourcePublish

Bill started drawing cartoons in 5th grade, copyingNew Yorkercomics. Since then, he has created a quirky and fun world for his characters. Get ready to enjoy this collection of Bill Whitehead’s comics that will probably make you smile!

This post may includeaffiliate links.

Bored Pandareached out to Bill Whitehead to gain insight into his creative process and personal journey. The artist revealed that cartooning, for him, is a perfect blend of his passion for drawing and his love for humor. “Ever since about the age of 8, I’ve wanted to be a cartoonist. I devoured the newspaper comics every day and copied them line for line. Over time, that helped me develop my own style. I taught myself to come up with ideas through trial and error. Roughly two-thirds of the ideas I come up with are actually usable. I would say I’m my own toughest editor.“RELATED:Bill shared that he prefers doing single-panel cartoons because, for him, the strip format is too confining. “I get bored with the same characters every day. I like each cartoon to be a brand new world of its own. A single-panel cartoon is like directing a tiny movie or play that takes place in one moment, in one scene, with one line of dialogue, or no dialogue at all. I set up the shot for maximum effectiveness and try to get the best performance out of my characters with their facial expressions and body language.“Bill freelanced for various publications for years before landing a job writing humorous greeting cards for Hallmark. “I worked there for 23 years until I retired. After that, I got myFree Rangepanel syndicated with Creators Syndicate, based in LA, California.“The artist told us that he draws inspiration from reading, consuming media, and exploring the subject matter of other cartoons, often taking those ideas in new directions. “At Hallmark, I found it extremely valuable to sit around a table with other writers and read through all the ideas we came up with that week. It shows you what makes some ideas work while others fall flat. The pile of rejected ideas was always way bigger than the accepted ones.“Some of the cartoonists that influenced Bill’s style are Charles Addams ofThe New Yorker, Gary Larson ofThe Far Side, French cartoonist Jean-Jacques Sempé, Argentine cartoonist Guillermo Mordillo, andMADcartoonist Sergio Aragonés, just to name a few. “Their work has inspired me for decades and never gets old.“See Also on Bored PandaContinue reading with Bored Panda PremiumUnlimited contentAd-free browsingDark modeSubscribe nowAlready a subscriber?Sign InSee Also on Bored Panda

Bill Whitehead’s Funny Comics

Bill shared that he prefers doing single-panel cartoons because, for him, the strip format is too confining. “I get bored with the same characters every day. I like each cartoon to be a brand new world of its own. A single-panel cartoon is like directing a tiny movie or play that takes place in one moment, in one scene, with one line of dialogue, or no dialogue at all. I set up the shot for maximum effectiveness and try to get the best performance out of my characters with their facial expressions and body language.”

Bill Whitehead’s Funny Comics

Bill freelanced for various publications for years before landing a job writing humorous greeting cards for Hallmark. “I worked there for 23 years until I retired. After that, I got myFree Rangepanel syndicated with Creators Syndicate, based in LA, California.“The artist told us that he draws inspiration from reading, consuming media, and exploring the subject matter of other cartoons, often taking those ideas in new directions. “At Hallmark, I found it extremely valuable to sit around a table with other writers and read through all the ideas we came up with that week. It shows you what makes some ideas work while others fall flat. The pile of rejected ideas was always way bigger than the accepted ones.”

The artist told us that he draws inspiration from reading, consuming media, and exploring the subject matter of other cartoons, often taking those ideas in new directions. “At Hallmark, I found it extremely valuable to sit around a table with other writers and read through all the ideas we came up with that week. It shows you what makes some ideas work while others fall flat. The pile of rejected ideas was always way bigger than the accepted ones.”

Bill Whitehead’s Funny Comics

Some of the cartoonists that influenced Bill’s style are Charles Addams ofThe New Yorker, Gary Larson ofThe Far Side, French cartoonist Jean-Jacques Sempé, Argentine cartoonist Guillermo Mordillo, andMADcartoonist Sergio Aragonés, just to name a few. “Their work has inspired me for decades and never gets old.”

Bill Whitehead’s Funny Comics